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Even after the “revelation” that letting unregulated moneymen run the country isn't a good idea, the neoliberals at the Heritage Foundation are still churning out the message; like the latest book by “theologian” Jay W. Richards, Money, Greed, and God: Why Capitalism is the Solution And Not the Problem.
Miss California and her supporters seem oblivious to the possibility that theological consistency might lead to a conclusion that a god who prohibits gay marriage would not look favorably upon her breast augmentation surgery.
Though surveys of American religion continue to reveal a rise in the “no religion,” and “unaffiliated” categories the transcendent experience of a Wilco show can lead the way to a more nuanced understanding.
Revealing why citing “chapter and verse” once had no meaning, why 16th century Catholics capitalized “Word” but not “God,” and why the King James Bible is anti-Puritan, Lori Anne Ferrell’s new book reminds us that everything is historical: the Christian religion, the Christian people, the Christian book.
Documentarian Kirby Dick maintains that his new film isn’t merely righteous mimicry of tabloid journalism.
Drawing on sources as diverse as feminist theology, biblical criticism and Midrash, renowned poet Alicia Suskin Ostriker’s latest book of essays seeks to rescue the Bible from the clutches of narrow conservatism.
How did Christianity become so commercial? Is religious punk rock an oxymoron? The author of a new book on suburban evangelicalism and Christian heavy metal shows how Christian youth culture has been commodified and sold to secular audiences.
When New York City’s fabled Riverside Church brought in a new, evangelical pastor with a pay package of $600K it made roaring headlines and sparked a lawsuit. Our writer attended the Sunday service and reports back on the "controversy."
In a recent promotional letter, Richard Dawkins caricatured the average American’s Christian beliefs. Problem is, caricatures cease to be useful when the critic invites his audience to deride the real thing based on a lampoon.
Buried in the results of a recent survey is the fact that secularists may now be one of America’s largest minorities—larger than gays or African Americans. Will nonbelievers, traditionally one of the most loathed demographics, begin to feel their oats and demand greater recognition in the public square?
Bono finds “soul music” in the work of secular do-gooders, and a contingent of Scottish police declare themselves members of the Church of Jedi. Looks like we have religion everywhere, and not a god in sight.
Are believers in God crazy? Are atheists? Philosopher Eric Reitan explains why he finds the ideas of the Dawkins-Hitchens crowd wanting and why readers—atheist or theist—who want to cheer and pump their fists as “their guy” strikes back against the opponent should read something else.
Dawkins, Hitchens, Dennett—the new atheists are often out of their depth when it comes to real engagement with religious ideas. And what if the new atheism is not so much about theology as about politics?
During a profoundly symbolic trip to Turkey the president assured the Muslim nation that America is not a Christian nation, sparking right wing cries that he’s “thrown Christianity under the bus.” The real problem here is the absence of religious literacy among the critics currently speaking in alleged defense of the Christian faith.
To all the breathless detractors of “flyover country,” think about the history of Iowa before expressing shock.
On Good Friday, New York’s Trinity Church reenacted the Passion Play via Twitter, the latest social-networking sensation. Nathan Schneider reports on multitasking his way through the service.
From pew to pixel; does the virtual fulfillment of religious sentiments disorient or does it lead to more “real” forms of participation?
In this invitation to inter-cinematic dialogue, S. Brent Plate offers a Lenten season roundup of Jesus films from all across the world, and not a blue-eyed protagonist among them.
When an inexperienced Pentecostal pastor gets called by God to make a $50 million epic science-fiction film, is he a visionary, a prophet, or just another box office grifter? A new documentary tells the tale.
RD columnist S. Brent Plate crosses disciplinary boundaries to show us how film creates worlds, just as religion does; through incantation or special effects anything is possible.
