Tags: film and religion
Something Borrowed, Something Blue: Avatar and the Myth of Originality

S. Brent Plate.

Avatar is now officially the top-grossing movie of all time, but that’s not because it shows us something entirely original (in 3D no less). Like all good myths, it is a mashup: a mix of well-tested stories, presented in an unfamiliar way.

Ending With a Bang: 2012, Media, and Exploding Worlds

S. Brent Plate.

When filmmakers blow up a city, a planet, it’s called apocalyptic. But what if apocalypse is not a grand event but a continual revealing, happening every moment, as worlds arise and die?

Religion Goes to the Movies

Becky Garrison.

A brief tour through some forthcoming films. 

Jennifer’s Body and Why I Like Buffy’s Body Better

W. Scott Poole.

Has a hotly anticipated new horror film about a murderous cheerleader subverted the mythos of woman as the source of evil or just the opposite?

Pop-Eye: Global Jesus on Film

S. Brent Plate.

In this invitation to inter-cinematic dialogue, S. Brent Plate offers a Lenten season roundup of Jesus films from all across the world, and not a blue-eyed protagonist among them.

The Happening and the Gospel of Bruce Springsteen

Diane Winston.

M. Night Shyamalan’s much-maligned new movie sounds much more interesting if read as an extended argument for religious faith in general and intelligent design specifically.

Religion and Reality TV: Is God Watching?

Kent L. Brintnall.

Does God really care who wins Big Brother?