The one thing that seems able to tame even a hardened cynic like Holden Caufield, in the least overtly religious Salinger book, is an encounter with the innocence of childhood; especially children at play. It is this quest for lost innocence that defines the spiritual trajectory of Salinger’s most memorable characters. They are all teachers, parents, players, children-at-heart.
Why is the character of Jesus so powerful? Why is he such a hit? Bestselling writer Mary Gordon re-reads the Gospels, asking these questions, among others, and trying to figure out why fundamentalist readings of scripture, grounded in fear and rage, have come to dominate the understanding of religion in this country.
An online novel about a flu pandemic blurs the boundaries between real “flu-blogging” and the dystopic world of its blogger protagonist. And it exposes the cultural anxiety, both religious and secular, that disease unleashes.
On Vanity Fair's profile of the post-Roth and Bellow generation of Jewish novelists.
Perry Moore, ardent Christian and author of Hero, believes that the time has come for the younger generation to supplant the older generation of bigots.
Peter Manseau’s first novel, Songs for the Butcher’s Daughter, takes on themes of Jewish-Christian enmity, the trials of translation, and the idea of language as a virtual homeland.
Author Stephen Mansfield is getting hate mail. Why does the religious right think that this ex-pastor will roast in hell?
House Made of Dawn inaugurated the so-called “Native American Renaissance”...
A consideration of the legacy of The Adventures of Huckleberry Finn, on the eve of the 123rd anniversary of its publication.
